“The essence of the era lies in its people, emphasizing a people-oriented approach. For art to truly excel, it must earn acclaim from experts, resonate with the public, and stand the test of time for future generations. My proposition that today's artistic creation should follow the individual, and that literature and art should serve the people, essentially marks the commencement of a renaissance in Chinese literature and art.”

--Gao Yun, Researcher of China National Academy of Painting, painter 

Ink and brush constitute the fundamental language of Chinese painting, encapsulating not only the beauty of traditional Chinese art, but also reflecting the artist's contemplation on the art. 

Commencing with a period of experience as an educated youth during the "culturalrevolution", Gao Yun's story with traditional Chinese painting begins. 

"Chinese art has consistently pursued a spiritual aesthetic, showcasing the essence of literati culture from its inception. 

Each stroke within Chinese art encapsulates the author's life experience and spirit." 

On the path of artistic creation, Gao Yun steadfastly upholds tradition while embracing innovation, "Dialogue with Ingres"created by Gao Yun 

engages in an equitable dialogue with the international art community through the language of painting. 

The era serves as the fertile ground for artistic creation, and individuals are the protagonists in this endeavor.  

"Artistic creation should follow the individual" accurately depicts Gao Yun's artistic journey.